Tim Hussey

BIO

Tim Hussey explores various media through interrelated realms of illustration, figure painting and pure abstraction. His paintings are infused with intense color and texture, allowing the chaotic nature of the media to work to his advantage. For Hussey, the act of painting is as important as the finished product, applying mediums like house paint, oil sticks, pen and colored pencil to collaged vintage papers with as much chance as deliberation. His untidy formats and size variations express strong emotions, psychological battles and at times the desire for spiritual comfort.

Hussey’s laboriously precious line quality and tight compositions integrate technical skills from his long career in editorial illustration. After graduating from Rhode Island School of Design (1992) with a focus on photography and illustration, Hussey settled in New York City where his first job at MTV involved painting images on set during live broadcasts. His mature, illustrative career evolved through designer roles at Rolling Stone, New York Times, Esquire, GQ and Outside Magazine, to name a few. In 2000, Hussey was awarded “Top 20 Images of the Year,” by American Illustration and is featured annually in Print Magazine and Communication Arts.

Hussey’s photographs and paintings have been exhibited nationally in key group and solo exhibitions such as his recent show at Shepard Fairey’s Subliminal Projects Gallery in Los Angeles, and Art Basel Miami. His art has appeared in publications like Architectural Digest and NYARTS Magazine, among others. Hussey currently resides in downtown Charleston, SC, where he continues to push his personal limits through various mediums.

Rebekah Jacob Gallery
169-B King Street
Charleston SC 29401
phone: 843.937.9222
cell: 843.697.5471
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Tues.- Sat.: 10am-5:30pm
Sun. and Mon. by appt. only

VISIT

KEVIN TAYLOR | “CENOTAPH”

IN THE ARTIST’S WORDS: In “Cenotaph,” the Great White Shark is sacrificed as a living monument. It has no predators other than man and even those sympathetic to its plight simultaneously fear it. The Christ-like visage represents man’s earth-based liaison unto the spiritual world as he erects a structure to assist humans in their acts [...]

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